You probably realized there were {a few} extra string sheets from
my previous quilt. Actually, there were enough to make an even larger quilt. Fortunately, that first one sparked several ideas for future quilts. String 1 reminds me of Chinese Coins with long bands of similar colors and all stripes pointing in the same direction. I want the stripes to point in both directions in String 2. What's an easy way to do that? Rail Fence.
 |
| Improvisational Rail Fence quilt |
Although it's one of the most common string quilt designs, I'm sure recent examples nudged my consciousness. Sujata Shah has a delightful
quilt along of her version of this pattern. I made one as
a graduation present for my youngest. Earlier this summer I saw Drew Steinbrecher's
Line Study #4. Wow! Gloriously clear colors with stripes pointing in both directions... like a rail fence. Bill Volckening shows a rail fence from 1975 on
this post. Plummer Pettway of Gee's Bend created this version she called
Crazy Quilt documented by Auburn University. It's frequently listed as Roman Stripe but looks like rail fence to me.
First, I laid out most of the leftovers to get an idea of size. Sherri suggests this in her book, IHMQ, as a great way to determine approximate amounts of fabric. Many of these are already cut into pseudo-squares but some are still long sheets.
 |
| Leftovers from Improv String 1 |
Then I moved some sections. Basically a rail fence at this point. I want to experiment by varying block sizes more.
 |
| Beginning String 2 |
As usual, I started sewing sections together in rows from the top left. Wrong move. The quilt becomes columns. That worked for the previous quilt but not this time. Section lines can be hidden by building up several distinct areas. Sherri (Daintytime) mentions this in the Floating Squares score as does Amanda (Crazy Mom Quilts) in Scrap Vortex. So I went back and put some smaller pieces together, building larger and larger sections. Sometimes two small blocks join to one larger block.
The colors were becoming mushy as the section sizes increased. A lavender-and-white-stripe home decor fabric and three darker blues from the
discarded set increased the value range. Some strata are too long; I plan to cut them. Others, I left whole. To mask long fillers, Sherri suggests strips pieced from multiple fabrics (IHMQ, p. 29.) Amanda uses
a similar method to equalize larger blocks. Pre-sewing a few pieced, skinny, filler strips might keep me from adding overly long pieces. {Didn't I say that last time?} Where to find some...
 |
| Adding lavender and white stripe |
The paper pieced remnant below was my first attempt at an inner border on the watermelon string quilt. It didn't work there and it doesn't work any better here. Oddly enough, the only place it has fit is the Round Robin quilt - cut into three parts.
 |
| Leftover paper piecing as a possible filler strip |
Another dive into the scrap bag brought some string-pieced triangular crumbs. I made them a few months ago, thought they were ugly and tossed them in the bag. Not only do they fit here, they also are those pieced, skinny, filler strips needed to join larger sections.
 |
| Reworking the layout; adding pieced triangles |
The final scrap of a sawtooth border print only works because of the other triangles and the added blues. It's on the right. Do you see it?
 |
| Sewing sections together |
I love, love, love different stripes. Especially red. Some of my striped fabrics are printed along the warp, others along the weft. In both cases, I cut across the fabric width (weft-wise as it were.) It might have been better to cut across the stripe whichever way it fell. Something to consider.
Kaja's post this week suggests starting an improv quilt with a single shape. What are your fabrics suggesting to you?
Enjoy the day, Ann
