Showing posts with label #AHIQflowers. Show all posts
Showing posts with label #AHIQflowers. Show all posts

Tuesday, December 17, 2019

Adding Flowers to Tethys Waves

"The danger is not that America will collapse into a Depression tomorrow... The danger is that the paralysis of the American political system - its inability to tackle any big multigenerational problem anymore - will just very slowly erode our strengths and assets as a society. We will slowly choke off immigration, slowly give up our commitment to free trade, slowly allow the budgets for research in science to decline, slowly let our public schools slide into mediocrity, and only slowly face up to our energy challenge."
Thomas L. Friedman
Hot, Flat, and Crowded, p20, 2008


Friends are a blessing. The blue striped yardage from Kaja that was used to bind the Froggy Star reminded me of Tethys Waves because it's in the same family of blues. There's enough to appliqué triangles over those gaping white triangles on the sides. But then... Thinking about the AHIQ flower challenge, a better solution presented itself. You guessed it. Flowers. A small bit of red batik scrunched under some larger pieces lurked in my stash. Ah, the joys of cleaning house... Well, at least of cleaning the sewing room.

Red batik flower petals with striped blue centers.
Half flower pinned on the sides

Can you tell I don't appliqué much? That's a lot of pins. But this time I wanted to see the result before sewing everything. See, this old dog can learn a new trick. After pinning three red petals and adding a blue center to one I can tell the idea works. It tones down the gaping white triangles while blending with the floral theme of the red squares.

The cream corners are filled with half flowers of red batik and blue centers.
Half flowers added to Ocean Waves

It's only eight half flowers. How long could it take? Knowing myself, much too long if handwork was involved. So these were blanket stitched by machine in matching thread. Done it a couple of hours.

Red and white print creates centers for an Ocean Waves quilt. The side triangles are filled with red batik half flowers with navy blue striped centers.
Tethys Waves quilt top with side flowers

Now to find a back. And consider whether or not to add a border. And figure out a quilting design that won't take the rest of my life.

Off the Bookshelf

The cover shows a blond woman in a ruby red Regency gown  looking over her shoulder. Fairy lights of glamour light up the background. I enjoyed the Lady Astronaut series so much I picked up Shades of Milk and Honey, too. It's the first of an older series by Mary Robinette Kowal set in Regency England with a small twist - magic exists. Threads of glamour can be pulled and twisted to created visible images. Young ladies of quality are expected to practice this talent along with painting and music.

Mary credits Jane Austen as her inspiration. While not as complex and deft as Jane's novels, it is an intriguing read that reminded me of Rick Riordan's first book, The Lightning Thief - another clever first book developing a coherent alternate world - that should improve throughout the series. Definitely worth the time.


Enjoy the day, Ann

Tuesday, November 12, 2019

The Rose Quilt is Finally Finished

"If you want to hear the sound of God's laughter, just tell Him your plans."

Quilting


I like to pretend there aren't a bunch of quilt tops waiting to be quilted but cleaning the sewing room out brought them to the surface. No more kidding myself. One is the Rose quilt {last worked on September 2018. Yikes!} Why did this pretty quilt end up stuffed in a dark corner?

Truthfully FOMMWQ {fear of making a mistake while quilting} hit hard. Every idea became much too complicated. Despite my trepidation, the stems were easy - just some FMQ loops...  until running out of green thread. And you know how hard it is to purchase more. Hahaha.

Still, quilting the roses became an ever-larger nightmare. McTavishing seemed like it would make petal-like curves. Great idea but heavy stitching might make the quilt stiff or make it pull oddly if everything else wasn't quilted equally closely. So I warted and worried it to death then gave it a quick burial in the closet. Guilt arose each time it was opened.

Chinese Coin background with three large red roses of improvisational log cabin piecing. The stems and leaves are green batik applique.
Chinese Coins with Roses quilt

This past week it occurred to me that the roses could be an improv challenge. Remember Kaja's flower post? Ok, there are several flowery ideas running through my mind but at the rate I'm going it may be next year before there's time to work on them.  So...

After watching YouTube videos by Karen herself and Leah Day, I found Amy Johnson whose curlicues spoke to me. About the same time I realized the quilting could be spaced further apart. {Too soon old and too late smart.} A few hours practicing the technique with dry erase marker on my vinyl overlay gave me the confidence to begin again.

Photos of these overlays on top of the quilt didn't show well so here they are against the design wall. This is a practice rose.

Quilting design sketched on plastic overlay using a black marker.
Larger scale spirals and McTavishing with a marker

The result of facing fear is often the discovery that it's not that difficult. Nike is right. Just Do It!

Serpentine FMQ mimics petals on the roses.
Detail of quilting the roses

Two sections down; only the background left to fill. Julie's combination of fans and flowers would make a garden of flowers for the roses to emerge from...  and they could use more flowers in their garden. ;-)

In the first attempt petals curved and hopped. Unfortunately, I'm a hopper. My curves get out of control quite easily.

FMQ mixing flowers, spirals, and fans sketched on plastic overlay in black marker.
Mixing flowers, spirals, and fans in FMQ

After several iterations, my flower petals are much shorter, more like scallops. And most of my fans turned into spirals. Fans or spirals. Both seems okay. My main takeaway from all the practice is that the flower petals should not overlap. A few peeking through the arcs seems better.

FMQ mixing more flowers, spirals, and fans sketched on plastic overlay in black marker.
More flowers, spirals, and fans in FMQ

The light blue thread was very hard to see but slowing my speed kept me from crossing quilting lines.  It only took two days to complete the quilting. After a quick wash and dry the quilt crinkled beautifully. {This is why I love Mountain Mist batts. The shrink just enough. Like Goldilocks and the Three Bears.}

There was just enough blue gingham print (not yarn dyed) for the binding. Well, one skinny strip went into the scrap bag.

Folded quilt highlights the binding and the front of the quilt.
Gingham binding on
Chinese Coins with Roses quilt

Previous posts:
  1. Attempting to Applique the Roses
  2. Adding Pieced Roses
  3. Strewing Roses
  4. Adding Stems and Leaves
  5. Top Done
The back is a conglomeration of floral fabrics to echo the pieced ones on front.

Eight floral prints combine to make the back.
Back of Chinese Coins with Roses quilt

Quilt Specifics
Size: 59" x 52"
Design: Chinese Coins with improv pieced roses
Batting: Mountain Mist Cream Rose 100% cotton
Thread: green, red and blue Gutermann 50 wt cotton
Quilting: FMQ loops, spirals, fans, and flowers
Approximate Yardage: 8.5 yd 
(guesstimate because mainly scraps)

Off the Bookshelf

Quilts in the Cotswalds by Kaffe Fassett and Organic Appliqué by Kathy Doughty/At the library this week I found two, count 'em TWO, new quilt books and snagged both to read. Quilts in the Cotswalds by Kaffe Fassett and Organic Appliqué by Kathy Doughty are thoughtful reads with my morning coffee. I want to return to large scale prints and these both encourage that. Reading about creative methods sparks new ideas of our own {or you can follow their designs.} These books even have coordinating covers.

Enjoy the day, Ann