Showing posts with label travel. Show all posts
Showing posts with label travel. Show all posts

Tuesday, February 11, 2020

A Done Deal

"Ambition is enthusiasm with a purpose."
~Frank Tyger

When looking ahead there seem to be so many long, time-consuming steps to finish a quilt. Between that and anxiety about our quilting, it's no wonder we set tops aside. This one is finally finished. It's a perfect size to snuggle under during this cold weather. I'm keeping it.

Medallion scrap quilt has The Square Deal block in the center surrounded by a narrow, white inner border and an outer border of two rows of lattice blocks in shades of red, pink, blue, and green
The Square Deal quilt

As I mentioned earlier I divided the quilt into three sections: the Square Deal center, the sashing, and the outer border. After simple SID around the sashing, each section was quilted with its own designs. The sashing was the simplest - just wishbones - and that finished the quilting.

Wishbone quilting in the sashing of the Square Deal

Binding is the next step. I pulled several fabrics and laid some under the edge of the quilt to see how they might look. I thought light blue or green would work best but chose the pink.

Photo collage of fabric choices for binding The Square Deal: pink, blue, green prints
Binding choices for the Square Deal quilt

There was just enough. Only four inches overlap. How's that for using every last bit?

Binding pinned and ready to attach to the quilt

Here's a detail of the binding and back.

Folded quilt shows parts of the front, back, and binding of The Square Deal
Binding and backing for The Square Deal quilt

Quilt Specifics
Size: 71" x 71"
Design: The Square Deal (with leftover Chinese Coin units) and Lattice
Batting: Mountain Mist Cream Rose cotton
Thread: 50 wt Gutermann light blue, Metler red, and Aurifil white cotton
Quilting: SID, FMQ curves, feathers, wishbones, and parallel lines
Approximate yardage: 13.5 yds

The quilt started with some leftover Chinese Coin strips. Well, they weren't exactly leftover. The quilt they were supposed to become looked terrible. And there were too many to waste. And I didn't want to put them in the scrap bag because "I'm going to use it up now." Haha.

The lattice border was a collection of blocks that never got sewed up. I guess they were in the Parts Department that Gwen and Freddy espouse. They all fit together beautifully {only six extras were made for this quilt and you can tell which they are because the Xs are much wider} and reinforce my opinion that everything from our own stash will work together because we each have an innate and individual sense of color and pattern.

Previous posts:
  1. The beginning
  2. Finding border blocks among the leftovers
  3. Choosing the sashing
  4. Designing the border
  5. More border work
  6. Finalizing the border
  7. Using the leftovers as a baby quilt
  8. The back for the baby quilt
  9. Finished Square Deal baby quilt
  10. Quilting on original Square Deal begins
  11. Quilting continues
We viewed an interesting exhibit at SF MOMA by Turkish-German artist Nevin Aladag who incorporates a variety of musical instruments into her sculptures. Here's a video of musicians playing her Resonator which includes drums, chimes, harp, didgeridoos, acoustic and bass guitars, and parts of a mandolin.

Resonator sculpture with Social Fabric:
Percussion in the background.
Both by Nevin Aladag

The wall hanging, which at a distance appeared to be a detailed painting, is composed of precisely cut rugs and carpets. {She must have a very sharp knife.}

The museum also has a room of Alexander Calder's mobiles with several of his sculptures on the adjacent terrace. This mobile entitled Double Gong includes two mallets which makes sounds when the wind moves it. {No breezes in the museum though.}

Sculpture and mobile by Alexander Calder

I first enjoyed Alexander's work at the Museum of Contemporary Art in Chicago where we found the Catmobile. {Dada dada dada dada. Who remembers that theme song?}

Chat-mobile by Alexander Calder, 1956.

With all the reds and pinks, the Square Deal makes a lovely Valentine. I wish you all a Happy Valentine's this week.

Enjoy the day, Ann


Tuesday, December 3, 2019

Reprise and Somebody Had Her Face Washed

This is the other baby-size top from that old nine-patch exchange. The tan is the same fabric as the center of the previous quilt but the blue and red are different. And all of these blues and red were used up making these two quilts. Yea!

It seemed like a good idea to practice my new FMQ skills again. I used the same design on the nine patches as the first quilt. The outer tans have a new-to-me dot-to-dot from Angela's video. The middle one had the same problem as the previous quilt - it needed a "centered" design. This one didn't turn out as well as I'd hoped but it was still good practice. The red and blue squares got figure eights this time but I rotated the design for the two colors. {Just for fun.} Thread on each of those squares had to be started and stopped but all the others traveled or ended in at the edge.

A scrap quilt with small nine-patches alternate with red, cadet blue, or tan solid squares are quilted with a variety of free motion designs.
Four-Patch Nine-Patch baby quilt 2 with quilting ideas from Angela Walters

I forgot to SID at the beginning so had to add it as a final step. Note to self: if you're going to SID, do it first.

The forest green back highlights the many free motion point-to-point quilting designs
Back of Four-Patch Nine-Patch baby quilt 2
with quilting ideas from Angela Walters

Despite a box full of solids, none of them worked for binding except a tan twill. Because it was a bit thicker than quilting cotton I wondered if it would work at all. I sewed the binding to the back first then pressed it - an important step to make the binding smooth. After folding the binding to the front and pinning every few inches, it was easy to sew close to the edge.

Quilt Specifics
Size: 40" x 40"
Design: Four-patch nine-patch
Batting: Mountain Mist Cream Rose 100% cotton
Thread: grey, red and blue Gutermann 50 wt cotton
Quilting: FMQ based on Angela Walters videos and walking foot SID
Approximate Yardage: 4 yd 

Revisions
Clara has been bothering me quite a while because she looks like a tart. When I couldn't stand it any longer, I removed her heavy red triangles of blush and added two small peach hexagons instead. She still has false eyelashes and they will stay. The hussy!

The large, bright red triangles of blush on Clara's face are replaced with small, peach circles and give her a softer look.
Clara collage quilt with a facewash

Travel
I hope your Thanksgiving was as delightful as mine. Lots of family gathered together. My daughter suggested I purchase a Spiralizer apple peeler for the pies and crumbles. They are a lovely company out of Wyoming with great personal service. How did I manage all these years without it? We all took turns coring, slicing, and/or peeling the apples and potatoes. This little machine lets you pick and choose among these features plus it has an additional appliance that juliennes. I have a food processor but this little hand-turned machine works much more easily.

The red enameled Spiralizer has a long bright steel screw to push the apples through the peeling and slicing mechanism. The cardboard box is in the background.
Spiralizer apple and potato peeler

You know you're a Texan if you think Blue Bell makes the best ice cream. I hadn't been to Brenham since the children were in grade school. Things have changed.

A collage of three photos show a statue of the Blue Bell logo in the garden, the front of the creamery factory, and the ice cream store counter inside the building.
Blue Bell Creamery

The girl with her cow is printed on every carton so, of course, they commissioned it for their front lawn. The last time we visited, tour guides led us around to watch workers filling buckets with ice cream. Now we washed our hands before entering and were not allowed to bring food or drinks. The factory floor is much more automated and every worker is carefully garbed for safety. It still looks like a great place to work and the ice cream is delicious.

Family left in stages and almost everyone missed the weather delays. Now it's so quiet. Good thing I have some projects to keep me busy or I'd be crying.

Enjoy the day, Ann

Tuesday, November 26, 2019

Free Motion Quilting Practice

"The American people must understand that as soon as America doesn't stand for something in the world, there is going to be a tremendous erosion of freedom. It is true. And yet, it is awful hard to convince people of it at home."
~George H.W. Bush

From time to time I remember to check my YouTube subscriptions. Recently Angela Walters started a new series called, Help! How Do I Quilt It? which I've found helpful. She is extremely organized yet friendly and funny. She created a panel printed with all the blocks she discusses quilting over the series and sells thread and other tools. And then she taped these videos that are freely available. I really, really, really don't need another project so I didn't purchase the panel {That would have been too easy.} so I was just watching them randomly.

Angela's first video discussed nine patches and oh, how I wished for a small quilt to practice. Then I recalled these blocks from a trade many years ago. I sewed them into two baby-sized tops last year but all the solids gave me the willies so I put it away.

Small nine-patch blocks alternate with cadet blue, bright red, and tan solid fabric blocks and highlight a variety of free motion quilting.
Four-Patch Nine-Patch baby quilt
with quilting ideas from Angela Walters videos

Angela showed several ways to quilt the block but she returned to the start each time since that worked best for her panel. Mine was already sewn and I wanted to travel from one block to the next to avoid starts and stops. Also, my nine-patches are "backwards" so I wanted the x's in the corners.

It took half the day marking the vinyl {the best idea to practice quilting designs I've ever found} but I finally figured out how to do it. Here's a diagram of my variation of Angela's design. There are nine pictures on this graph going across and then down {with space between each picture.}

Traveling nine-patch quilting design based on Angela Walters video will move across the quilt without stopping. No need to tie and bury threads.
Traveling nine-patch quilting design
 based on Angela Walters videos

Since Angela was so gracious to film videos, I don't want to reiterate all her details. This is just a reminder to myself of the order I quilted the nine patches. Go watch her series. It's fabulous. But my version moves me across each block so I can quilt them diagonally.

And here's a photo of the front and back of my quilt after completing all the nine patches. You'll notice only two of the corners have x's. The others could be done by sewing a diagonal line the other way across the quilt. It's the only way I could figure to allow me to end up on the opposite side of the quilt without backstitching.

Two collaged photos show orange peel FMQ in progress from the front and back of the quilt.
Nine-patch quilting based on Angela Walters design

All that and the large solid squares are still not done.

After watching her video again I decided to add quilt the red and blue squares with dot-to-dot on one side and continuous curve on the other. Angela had one more line of dot-to-dot but again, I wanted to travel across the block rather than finish at the starting point.

Then I framed the tan squares and used curves I call figure eights but Angela calls wishbone. Her wishbones have much smaller curves; something to work on. The last four squares on the middle of each side seemed to need a centered design so I created my own variation as Angela. It did end up back at the start but it's on the edge. No threads to bury.

This photo shows all the quilting but you'll notice none of the squares are SID.

wo collaged photos show finished point-to-point FMQ from the front and back of the quilt.
Quilting designs on Four-patch Nine-patch quilt

Angela and I both have a compulsion to keep those seams from coming loose. So my final step was to take care of those long seams. I used the walking foot. Usually SID is my first step. Doing it last meant this was not as neat as one could hope. Lesson learned.

It's a lot of quilting and took more time than I usually spend on a baby quilt but the point was to practice her methods. Learning new skills always takes more time.

The forest green back of the quilt highlights all the quilting designs.
Quilting designs on Four-patch Nine-patch quilt
with stitch-in-ditch added between blocks


Changing colors on the different squares meant there were several threads to bury. I have two drawers of thread and none of them are tan. But as part of my clean-it-out kick I chose to use what's on hand. The grey was too stark against the red and blue squares so I changed threads.

There was just enough red remaining to bind the quilt. The back looks a bit Christmasy but it matches the red on front.

I learned new ways to think about quilting, tried several new designs and feel more confident. This one can go on the baby quilt stack... you know, the one I've spent half a year trying to build up.

A darker red solid binds the Four-patch Nine-patch quilt
Binding detail

Quilt Specifics
Size: 40" x 40"
Design: Four-patch nine-patch
Batting: Mountain Mist Cream Rose 100% cotton
Thread: grey, red and blue Gutermann 50 wt cotton
Quilting: FMQ based on Angela Walters videos and walking foot SID
Approximate Yardage: 4 yd 

Monthly FUR (Fabric Use Rate) 
For my records, October saw three finished quilts = 17.75 yds, one shirt = 3.5 yds, and 2 yards donated for a total of 23.25 yards.


Travel
After my niece's baby shower we visited the George H.W. Bush library in College Station which none of us had seen before.

Front view of the library includes a large fountain surrounded by eight flagpoles flying American flags.
George H.W. Bush Library

With much more land than his son's at SMU so there is room to add Air Force One when it's retired as well as the engine that carried his body here. George, Barbara, and their daughter, Robin, are buried nearby.

The museum is chronologically arranged with sequential rooms for various stages of his life. Interestingly, a section of the Berlin wall was gifted to the library by the citizens of Berlin. This side faced West Germany while the other side is completely blank. They are spread worldwide. I've seen other sections at Rice University in Houston, Montreal, and Mountain View, California. Have you seen any?

The West Berlin side of the wall is painted in multi-colors and includes the word Vision.
A section of the Berlin Wall

A room dedicated to the Gulf war held the Gate of Kuwait. The hundred-year-old door is framed with plates bearing the names of American service members killed in that conflict and contains this inscription:

The names of all American lives lost in the Gulf War are engraved on the gate.
Gate of Kuwait

"When a man gives you the key to his home it means you are the best and most valuable friend to him; when a man gives you the door to his home it means that you are one of his family."

Happy Thanksgiving. I hope everyone connects with family or friends - whether in person, writing, voice or video.

Enjoy the day, Ann

Tuesday, August 27, 2019

Farmhouse Quilt Bordered

The blue and white quilt didn't look finished so I auditioned two simple navy blue fabrics for a narrow border.

A navy print and a navy ikat are tested as a border.
Possible borders for Ohio Star
and Log Cabin farmhouse quilt top

The stripe was the hands down winner. I will probably cut it down a bit further when binding.

Alternating blue and white Ohio Star and Log Cabin blocks with a navy ikat border
Ohio Star and Log Cabin
farmhouse quilt top

Although our vacation is over, I'm including these photos because they are giving me ideas for quilting.

The final stop on our Gold Country tour was Sutter's Mill, aka Marshall Gold Discovery State Historic Park, original site of the '49 gold rush. We stopped at the Marshall monument (the man who actually discovered the first gold) to soak in the scenery from the top of the hill. It looks so peaceful it's difficult to imagine the crowded conditions when thousands of miners displaced the natives.

A panoramic view of the site from a nearby hillside.
Sutter's Mill/Marshall Gold Discovery site,
Coloma, CA

A few years ago Stephie at Dawn Chorus Studio and Kaja at Sew Slowly discussed walls and Stephie mentioned the two-toned walls in her area (Cornwall?) so imagine my surprise at the wall here. The words are made of lighter-colored river rock embedded in the darker and larger stones. They both made quilts based on the idea but I can only find Kaja's now.

We don't have much hard rock in Texas so while there are a few retaining walls, fencing is used more frequently. What skill it takes to build this wall and embed the contrasting stones so precisely.

This chest-high stone monument marks the location on the American River.
Original site of Sutter's Mill

The original lumber mill washed away years ago and was rebuilt nearby on slightly higher ground. But the monument struck me. How do we notice and then translate ideas from the real world into fabric? Literally? Figuratively? What sparks our ideas if they don't come from another quilt or quilter? And how did that person come up with the idea that strikes us all so strongly?

Slightly uphill was this outcrop where for millennia, Nisenan women ground acorns as evidenced by the chaw-se (mortar holes.) Look at the grouping? Most are close together but a few are further away. Of course, the rock itself created some boundaries but I wonder who sat where? Were the smaller holes used by young children learning the work? Did higher status women sit further away or in the middle of the tightest group? How would this translate into art?

Two collaged photos show indentations in the granite outcrop where generations of Native Americans ground acorns for food.
Grandmother Rock with
chaw-se for grinding acorns

Of course, you know I'll include some geology. Although the Man Lee building originally housed Chinese bank and hardware stores it currently displays an excellent exhibit of the progression of mining. From placer to water wheel to hardrock mines and later highly mechanized operations requiring huge capital outlays.

Walking through this museum visitors walk through the history of California gold mining, including a sharp turn in an "underground" mine tunnel. Excellent!
Two collaged photos show the outside of the building and the entrance to a mockup of an underground mine inside.
Gold mining history exhibit
in Man Lee building

California published Geologic Gems about the geologic features and history of their state parks - an excellent resource before visiting any of them. The final line in the pamphlet on MGDHP says, "The park provides a sociological case study of how the distribution of earth’s mineral resources has influenced the establishment and demographics of societies."

Miners from every country in the world rushed to California in the 1850s, displacing the few natives who survived the onslaught of disease that began in the 16th century. They in turn were displaced as mining operations required larger capital inputs. So individual claims amalgamated into large companies with few {distant} owners while the miners became hourly wage earners with little to no opportunity for that huge payoff.

Even more important gold claims were the water rights. In fact, water is so valuable that the rights throughout the west are generally established by precedence of arrival rather than closeness to the source. Mining required lots of water, causing downstream flooding and legislative action to hold companies responsible for their actions. Those economic consequences closed many of the mines, turning the area into a ghost town.

When the Museum opened we visited to see the films and enjoy the exhibits. My favorite was this small one of dolls used by children of different cultures. The china doll overpowers some of the unique examples behind it, including the duck head and the baby with corn husk clothing.

A Native American duck head on a stick and another of a stone with corn husk skirt bound around it are placed next to a porcelain doll with a painted face and cotton dress.
Dolls from various cultures
in Coloma, CA

Not only is this area is rich in history, they have thoughtfully preserved and explained both the positive and negative aspects.  I plan to visit again next year and hope you will sometime, too.

Enjoy the day, Ann

Tuesday, August 20, 2019

Farmhouse Quilt Top

I forgot to take process photos this week but managed to get the top together. The split Ohio Stars alternate with some easy Log Cabins. Their strong light and dark sides make the furrows highly visible. The log cabin blocks sewed up quickly and the quilt went together like a snap. What a relief after futzing with those split Ohio Stars.

I'd like to consider it done but a narrow border might be better.

Alternating split Ohio Star and Log Cabin blocks in blue and white prints form this quilt top
Ohio Star and Log Cabin farmhouse quilt top

A few miles north of Jamestown is Columbia State Historic Park, a gold rush town integrated into a living town. The proprietors and docents dress in period clothing to share a vision of life: mining, blacksmithing, cooking. There are two hotels and several restaurants. We watched blacksmithing, families riding the stagecoach...

Tourists line up to ride the stagecoach
Stagecoach rides at Columbia State Historic Park

and took a turn in the one lane bowling alley.

A wooden bowling alley with pins that must be reset manually.
Single lane bowling alley, Columbia State Historic Park

Why did this house look familiar to me?* In 1940, the McConnell's bought and restored James Wilson's 1876 home, living here till their deaths. They petitioned the legislature to create a state park commemorating gold rush life - partly to keep the hotel across the street from turning into a brothel.

The white clapboard house sits behind a white picket fence.
Wilson-McConnell House

*It was Gary Cooper's home in the movie High Noon. Although I shouldn't be, I am constantly surprised to find so many classic movie locations around California.

Enjoy the day, Ann

Tuesday, August 13, 2019

A Few More Blocks and Railtown 1897

Setting up more Ohio Star blocks was all I completed this week since we are vacationing. If I had laid them out sooner I might have cut different amounts of each fabric; however, this is all of most of them. That's good from the point of stash reduction but not as good from the point of layout. Still it looks like the scrappiness will work well.

Blue and white blocks laid out on the design wall
Split Ohio Star quilt block progress

We finally toured some of the Gold Country of California. Cleverly, the state highway running through it is 49 and we only traveled the middle section. I've been around the mining towns of the Rockies most of my life but had never made it to this region. The California rush preceded Colorado's by about 10 years but many of the mining techniques and railroading needs were the same. And Californians really embrace their history. Many of the sites are maintained {or at least enriched} by groups of retiree docents who work tirelessly to inform, improve, and assist at these fabulous state sides.

We started at Railtown 1897 in Jamestown, a steam locomotive maintenance and repair facility. The trains were originally established to move supplies up to the claims and gold down to Sacramento. Visitors may tours of the buildings, including the roundhouse, as well as enjoying train and cab rides and special events throughout the year. We enjoyed the informative tour that included many engines and cars before our ride.

Because the stack can easily be changed to mimic steam engines, this "movie star" train has appeared in more films, documentaries, and television shows than any other. Credits include Back to the Future 3, The Virginian, and Petticoat Junction.

A docent in denim coveralls with a red bandana and a railway cap stands with his foot on the rail as he talks about this engine.
The movie star locomotive
at Railtown 1897

This unusual looking engine is a three truck Shay. With gears on the right, the locomotive is not symmetrical but it does make sharper turns.

Three truck Shay locomotive at Railtown 1897

The #19 Hetch Hetchy was originally furnished as an ambulance car and used on the Hetch Hetchy dam project. Later it was used for track inspection and to transport VIPs.

#19 Hetch Hetchy ambulance car at Railtown 1897

After the tour we watched the engineers switch #28 before climbing aboard for a delightful ride.

Engineers move the engine to the opposite side of the passenger cars.
#28 locomotive at Railtown 1897

Enjoy the day, Ann

Tuesday, August 6, 2019

SIL Quilt Begins

My SIL requested a “farmhouse quilt”... several years ago now so I'm only a few years overdue. I had to ask her to explain since I’d never heard the term and had no idea what it meant. Turns out it’s a casual, countrified, blue-and-white quilt.

Lacking many blues in the shades she prefers, a shopping trip was in order. What fun to spend an afternoon at a quilt shop with SIL. And boy, is she serious about blue and white! Upon returning home I went through my stash for a few more fabrics to add a bit more variety.

The stars pieces are all cut. The split Variable Star reminds me of the split Nine Patch. They both accentuate light and dark furrows when sewn. But the pressing is a pain. There is no way I’ve found to have all the seams flat. So a few will be opened. Not my favorite choice.

Here’s where the project stands today.

The first three blocks in a variety of blue and white prints laid out on the design wall
Split Ohio Star quilt blocks

We drove over Slumgullion Pass the weekend. Don't you love that name? It's been raining a bit almost every day adding so many beautiful shades of green; not as common this late in summer.

A green pasture with hills in the distance and heavy clouds.
On the road to Slumgullion Pass

Many herds grazed along the way: Deer in velvet in the middle distance;

The deer are feeding in a meadow near Slumgullion Pass in Colorado.
Deer in velvet
A moose with her calf closer to the roadway;

The female and her calf feed near the road to Slumgullion Pass in Colorado.
Moose and calf
But elk kept their distance. No good shots of those.

Last month I dusted and polished the bookshelves, then organizing a shelf of all the books I have yet to read. Do you buy books that sound interesting and then fail to ever read them? I never thought that was a habit of mine but half of a shelf is laughing at me. The plan is to read or donate them within the year - sort of like turning the hangers backwards and donating unworn clothes after a year. Genghis Khan and the Making of the Modern World was the first finish, a very intriguing look at the Mongals who brought so many innovations to the world.

Enjoy the day, Ann

Tuesday, July 30, 2019

Colorado Shirtwaist

On vacation with sporadic internet service. That’s ok because the scenery is gorgeous, the activities are exciting, and family is close.

One day I tried to quilt but the needle kept skipping so I sewed a shirtwaist dress instead. Hey, it was on my list of projects from the New Year.  A friend helped me adjust the pattern; I brought it in case there was time to work on it. Not perfect but it fits well and the issues are worked out. Hopefully I'll sew another soon.

Green and white striped cotton broadcloth dress.
Shirtwaist dress

We flew over the Great Sand Dunes National Park because our flight detoured around a storm along the Front Range. Wind caused these dunes pile to up against the mountains. Funny how small this park looks from the air. It seems immensely tall and hot each time I visit in person.
.
Exposed sand was blown against the Sangre de Cristo mountain range to form these massive dunes. The wide and shallow Medano Creek fronts the dunes.
Aerial view of Great Sand Dunes National Park

I gave a very short talk and workshop to the San Luis Valley Quilt Guild then a longer workshop at Kathy’s Fabric Trunk in Del Norte which went very well. Class fees went to Colorado wildfire relief and a summer camp program. It felt good to raise money for these causes.

QS took us on a boat trip down the Gunnison River above the Morrow Point Dam and what a treat that was! The weather was perfect, the scenery striking, and the NPS guides informative. We saw Curecanti’s Needle, a 700' granite spire formed by two intersecting faults that was the symbol of the Denver and Rio Grande Western narrow gauge railroad running through the canyon until the 1940s.

700-foot granite spire on the Gunnison River in Colorado was a notable landmark to natives and pioneers.
Curecanti's Needle

The other highlight of the trip was a pair of bald eagles hanging out in a dead tree. Wow!

Enjoy the day, Ann

Tuesday, May 28, 2019

Queueing up the Quilting

Three new tops are ready to sandwich once the backs are sewed. I've found it easiest to lay the top on the floor and cover it with fabrics until the back is large enough. Sometime I'll make a back like Julie's. What a great way to dress up the back side of a quilt. But not this time. After I sew them up, I'll spend the day pinning all of these plus the Chinese Coins with Roses top. All four will take one queen-size batt and I won't have to worry about storing a partial batt.

Three small tops are laid out so backing fabric can be properly sized. The fabrics are grouped by color to create monochromatic backs in blue or peach.
Designing three quilt backs

I'm keeping the Roses because I've been asked to show my guild how to make them but the baby quilts are all promised. I'd still like to have some finished ones on hand. I'll have to look through the bin again. Surely there are more partial blocks hanging around.

In the meantime, it's been flooding in Houston and Dallas. Fortunately my traveling has been on the dry days because you definitely want to stay inside in these downpours. Then we went to Oregon for a graduation. Precipitation accompanied that trip.

My brilliant idea was to go to Crater Lake on the way up. We've always wanted to see it; the Lodge just opened for the season. We drove past Klamath Lake, the largest fresh-water body in Oregon. It's the geologic remnant of pluvial Lake Modoc which was ten times larger and formed about 10,000 years ago during the last Ice Age. {Pluvial lakes form when temperature rises near glacial regions.}

A view from the highway running along the east side of the lake shows the train tracks, the grey water, and the lowering clouds.
Klamath Lake on a cloudy day

Bits of snow hid in the shade as we entered the park but it was waist high by the time we got to the Lodge which sits at the rim of Crater Lake.


The lobby of the lodge has rustic rocking chairs and easy chairs as well a wooden staircase to the second floor.
Crater Lake Lodge

And then it started to snow.

The view from the deck is completely shrouded by falling snow. It's piling up on the deck chairs and tables, too.
The deck at Crater Lake Lodge

We were told this is a wonderful view of the Lake... if hadn't been snowing. We are {allegedly} right on the edge of the lake. Not that we could see anything. Neither the near nor far side.

Still, we enjoyed touring the Lodge and reading about it's reconstruction. And we hope to return on a more auspicious day.

The sun broke out as we crossed the border so DH took a photo of Mt. Shasta. Another future trip.

View of Mount Shasta against a bright blue sky.
Mt Shasta

Enjoy the day, Ann