Tuesday, May 19, 2020

Taking a Hatchet to my Scraps

"The great thing in the world is not so much where we stand, as in what direction we are moving."
~Oliver Wendell Holmes

Quilting

It's way past time to use up my remnants and scraps. I used the largest to make a simple four-patch called Hatchet that is often seen as a signature block. In fact, I used the block for my first guild name tag. My rule was that each fabric had to make between two and seven center squares cut 5.5" each with pairs of 3" cut squares for the triangle sides. Five inches is fairly wide for the scrap bag but I grabbed bits from previous projects that are less than a fat quarter and remnants from clothing construction. After marking the diagonal I sewed that line and cut off the extra.

The  blocks are sewn with two small squares in the corner of a larger square. The outer half of the small squares will be cut away to finish the design
Hatchet blocks sewn but not pressed

By the end of the week I had enough blocks for two tops which finished the widest pieces in the scrap bag. One of Fern Royce's scrap quilts reminded me of the ribbon border on my Strippy Nine Patch. A celebratory quilt of streamers seemed like the perfect plan.

Here's the original layout.

Hatchet blocks for the quilt as originally set on the design wall
Hatchet baby quilt 1
Designs can be tightened by moving the blocks. Extra blocks are so helpful I usually sew enough for a second quilt. {Baby quilts are great for this purpose.} The finished quilt has streamers of red, blue and light green replacing a cream streamer and some darker streamers.

Hatchet blocks form ribbons of color down a quilt
Hatchet 1 scrap quilt

The back of the quilt includes leftover blocks. These were duller blocks that were pulled from the front. They look well with this funny pink fabric.

The quilt back includes a row of extra hatchet blocks inserted in a pink plaid
Hatchet 1 baby quilt back

I used simple parallel quilting lines, one of my favorite ways to quilt. The binding is a yellowish fabric with green polka dots. That creamy yellow matches the plaid in the pink fabric.

Folded quilt shows detail of the front, back,,binding, and quilting design
Hatchet 1 baby quilt detail of quilting and binding

Quilt Specifics
Size: 45" x 45"
Design: Hatchet or Signature block
Batting: Mountain Mist Cream Rose cotton
Thread: Superior 50 wt grey cotton thread
Quilting: Parallel lines with walking foot
Approximate yardage: 5.625 yds

Reading

Still at home ourselves, Bill Bryson's book of the same name caught my eye. His premise was that every room in his Victorian Yorkshire parsonage could springboard to the history of domesticity along with the scientific inventions and etymology that define our current way of living. He sets the stage with the year his home was built, using it to discuss the Crystal Palace and the appointment of clergy in the Church of England.

Starting with the hall, which used to be the entire house, Bill discusses how each developed. The addition of fireplaces allowed floors to be built above the ground and promoted the idea of privacy. The kitchen explores gastronomy, nutrition, and the Spice Trade. The scullery leads to the fuse box which leads to a discussion of lighting - one of the points that interested me most. The refrigerator light is stronger than the total amount in most 18th century homes. Those pictures of families working a a table lit by one candle illuminate the utter darkness of night for most of history.

Of course, hygiene is discussed in the bathroom while sex, death and sleep inhabit the bedroom. The study reminds him of the mice, rats, bats, lice, bedbugs, and the many microbes that live on our bodies and in our homes. Why? Because that's the room where they catch most of their mice. Darwin, and the destruction of country homes, and the sale of parsonages by the church conclude the book in the attic where are the ephemera of past glories go to die.

This was an excellent reading choice for self-isolation or any other time.

Enjoy the day, Ann

Tuesday, May 12, 2020

Snowballs Make a Perfect Border

Coward: One who, in a perilous emergency, thinks with his legs.
~Ambrose Bierce

Quilting


The snowball borders are finally sewn on the Wheel quilt. Wheee!

A portion of the Wheel quilt showing some of the wheels with a narrow red and white striped sashing and a border of three rows of low volume snowball blocks
Snowball border on the Wheel quilt

Oh, joy! Not that the quilt is done but at least the top is finished. It's too large to get a full photo right now. Hopefully that can happen once it's quilted. Next will be an excavation of my stash to see what white fabrics lurking there could become a back. I can't remember any right now but am certainly not purchasing more before checking the piles already here.

The quilting plan will also take some time. While the backgrounds are not solid white, they are very low-volume so the stitching will show. What will look good? Does the sashing need any or can it just be SID? Fortunately my trusty vinyl is at hand so sketches should be easy.

Clearing Out my Stash

I pulled fabric for six more totes. Although I'm trying to make some for young men, they all look like a tote for little kids or little old ladies. Perhaps solids will work better for older boys. Next month I'll look for those. Each tote uses two fabrics: one yard that becomes the inside and sides plus half a yard for the front. The print in the top left is in two other totes {middle and left on the bottom row.} It's a beautiful {to me} Rose and Hubble print that's so old my hair wasn't grey when I bought it in Lewisville TX. There wasn't enough for a big shirt and it's been sitting in my stash long enough.

Six blue cotton tote bags use 1.5 yards each
Six tote bags

I also finished a dozen pillowcases which should keep my whole family provided. The king size ones take a yard plus a third for the cuff while the standard take two-thirds of a yard plus a third for the cuff. Most of my one-yard lengths got a serious look to decide whether they would work for either a pillowcase or tote. This batch took twelve and two-thirds yards. Now they are ready to gift throughout the year.

Twelve pillowcases in pinks and whites
Twelve pillowcases

Masks and Gowns

No new masks. Like Robin, I think I'm done until something needs to be replaced but six new isolation gowns this week. In addition, five gowns were sent to me for minor repairs. It's great to have a large group of sewers but would be better if they would read the directions. So that was not so fun but hopefully these were "first round" mistakes. Sewing 4 Good has a small group of paid sewers at a southern California shop but many volunteer sewers. As businesses reopen, I believe we volunteers will fade out; however, all our hospitals and care centers have spent their budget. Some are even laying off staff in the middle of this pandemic. So we will be sewing through the end of the year and probably beyond. Not as fun as quilting but way more important.

Reading


I alternate books online with physical copies but almost always am on the waiting list. A whole bunch came due this past week so I chose The Cuckoo's Calling, the first of a series of crime novels by  Robert Galbraith. That is a nom de plume for J.K. Rowling. {I must be the last reader to find out she has a new series.} Her protagonist, private investigator Comoran Strike, is a disabled Afghan vet looking into the death of supermodel, Lula Landry. I enjoyed it and placed a hold on the second one.

Movies, TV, Etc

We just finished the fourth of nine episodes of Home from Apple TV. If DH wasn't so adept I wouldn't have found this series and it's wonderful. Each looks at one builder or architect in one location, what they built, why they built it, how they were inspired. The homes are stunningly different, from a Swedish log cabin inside a greenhouse to the tiniest apartment in Hong Kong. That place had moveable walls. Not like Japanese sliding screen, these move like shelves in my chemistry lab and reconfigure the space for cooking, working, entertaining, or sleeping. If you see it, let me know which episode most intrigued you.

Enjoy the day, Ann

Tuesday, May 5, 2020

Heading for the Border

Make the best use of what is in your power and take the rest as it comes. If you seek truth, you will not seek victory by dishonorable means; and if you find truth, you will become invincible.
~Epictetus

Quilting

I used a dark brown to post the stripe at the corners of the wheel blocks. The value is quite a bit darker but the pieces are so small they don't overpower the softness of the rest of the top. Well, soft for me.

Wheel composed of four fan blocks with alternating pale red and green blades sashed with tan are in turn sashed with red and white stripe in this low volume quilt
Center of the wheel quilt sewn

Now for the border. My original plan was to create a grey/tan and white hourglass inner border and sew the rest of the wedges as Coins in an outer border. Eventually I noticed that sequence {or at least the Coins} has occurred in several of my quilts, including Chinese Coins II, III, and CCIV, and the Polka Dot. It's time for a new idea.

One that I've wanted to try for a while is the snowball. Again, examples abound in current and vintage work: Sujata's book, Audrey's Scrappy Tulips, Julierose's Autumn Snowballs. A photo of Yoko Saito's glorious taupe Snowballs is here.

Snowballs work as a sixteen-patch as well as a nine-patch. Those definitions just locate the grid a block fits into. Each side divides into four equal parts for a sixteen-patch while a nine-patch divides into three equal parts. Of course, I'm not going to measure my corners. Somewhere between those will work just fine.

The backgrounds are squares of pink, white, cream, tan, and a couple of light yellows. I raided my overflowing scrap bin for corner fabrics and that's where the trouble arose. This first pass included any fabrics that seemed to go but mostly dark values. Too dark. It's overpowering the soft wheels.

In this snowball border, the corners of the blocks are too dark for the center of the quilt
Snowball corners in darker fabrics

So I removed the darkest by pulling out my trusty Value Finder. In years past I always used it to select fabrics but haven't needed it for a while. This helps me calculate the range of values that will work: 8-10 for snowballs, 5-7 for corners {with perhaps a few 4s.} This second iteration is better but still too bright. The corners need to be quieter still.

In this version of the snowball border, the corners of the blocks have too many bright fabrics
Lighter snowball corners with several brights

My next battle was removing the brighter brights - even if they are reds - and the blues. I'm not sure why I thought those would work. Looking carefully at all the wheels, the prints include orange, tan, brown, grey, yellow, purple, and pink in addition to red and green. When the border is reduced to these colors in quiet{er} hues within the value range it starts to work. Boy! Lots of hedging in that previous sentence.

This version of the snowball borders has corners that closely match the colors and values of the Wheel blocks in the center of the quilt
Snowball corners that work with the quilt center

Finally I can start a little production line {because these babies are very fiddly and time-consuming.} That's what happened the rest of the week and I'm only halfway through. Funny how hard it is for me to use scraps in the corners and actually have them fill the entire corner {and have a bit showing once the seam allowances are in, too.}

Improvisational snowball blocks sewn and pressed, waiting to be trimmed
Snowballs sewn and pressed waiting to be trimmed

In order to keep the various fabrics fairly evenly distributed it seemed best to divide them into four groups - one for each side. I'm sewing each on its own. One is done. These are the snowballs for the second side. Slower than molasses in January... and it's May.

Quilt borders of three rows of pale snowball blocks with soft colors in the corners are in the process of being constructed
Snowball borders in progress

Masks and Gowns

My final thirteen masks are made and shared with neighbors; 263 in all... I think. No more lining fabric right now. But work on isolation gowns continues. Six this week for a running total of 19. As I wrote before, they a delivered to a variety of sites: hospitals, social workers doing home health checks. For more information, check Sewing 4 Good.

Enjoy the day, Ann

Tuesday, April 28, 2020

Choosing Backgrounds

Blessedness is what can be snatched out of the passing day, and put away to think of afterwards.
~Ellis Peters in The Leper of St. Giles

Quilting


I collaged some photos of different fabric pulls for the next step in the fan quilt.  The top shows choices for posts and possibly a secondary sashing. Bottom left is background and more sashing ideas. Although a bunch of reds and greens were pulled for the wedges, the pile mysteriously decreased over time as other projects took precedence. When the wheels restarted, there were not enough soft reds. The crab prints on the right made me laugh. They might work as wedges; they certainly won't look the same cut into small strips.

Sashing, post, and background fabric choices for the fan/wheel blocks plus detail of crab fabric
Some fabric choices

Eventually I found two two-yard pieces of quietly printed cream fabrics in my stash {bottom left photo.} One includes a girl in a hat fishing. Now is the perfect time to use it.

This is improv so you won't be surprised to find I cut the fans down quite a bit. Why? At the larger size, only three background could be cut from WOF with lots of waste. That wasn't so bad {Scraps!} but I don't have enough fabric to create all the backgrounds. Decreasing the block size let me fit four across. Problem solved.

Paper pattern laid on fan to properly trim down the block
Trimming the fans to a smaller template size

There's also a simple trick to pinning: don't pin the seam allowances. Pinning between or near them lets them move and allows the new seam to curve rather than jerk from point to point.

Pin curves of the fan blades between seam allowances to create a smooth seam line
Pin curves of the fan between seam allowances

As usual, I cut the outer background with half-inch seam allowances on the two straight sides to give me some wiggle room when squaring the block. I find it doesn't help to make every template larger, just that final outer one.

Selectively oversizing the seams of some pieces gives more room to square the block
Squaring a fan quilt block

With the fans sewn it was time to settle the sashing. Another long-held idea was to use the red-and-white stripe. When the wheels were arranged it was too much for all the sashing. So... either between the arcs or around the wheels but not both. A light grey-brown worked as the alternate sashing, contrasting with everything else but not screaming for attention. It's not the same fabric as my original background plan but it's in the same family. So my color idea wasn't completely whacky.

Testing two fabric, red stripe and tan, to determine which looks better between the fan blocks and which looks better between the wheel blocks
Sashing layout choices

Next I had to pick a post and went with the lighter red on the right. Now I can sew the quarter-circle blocks into larger wheel blocks and contemplate a post for the stripe. {Those reds won't work.} These are not easy blocks for me nor have I seriously worked at low{er} volume before.

Testing a darker and a brighter red for posts in the Wheel quilt
Choosing between two reds for the post

Reading

The book cover features the ghostly image a St. Winifred in the foreground with Brother Cadfael under an arch behind her and a line of five monks in the background.

I started rereading the Cadfael chronicles, a successful 12th century mystery series by Ellis Peters which also adapted for television. In A Morbid Taste for Bones, Shrewsbury Abbey seeks to increase their prominence by acquiring the bones of a Welsh saint. When the leader of the local community objects, he is soon found murdered and Brother Cadfael must resolve the issues. It's even better than I remembered. This time I appreciated the descriptions of and the differences between the societal structures of the two countries as well as noticing the variations of religious practices, albeit both being Catholic. Of course, I devoured the maps of the region, city and Abbey.

Monthly FUR (Fabric Use Rate)

The 26 yards of isolation gown material did not come from my stash. {I sewed it but am not counting it in my rate.} Masks total 250. This month's total took 7 more yards while the pillowcases used 7.5 yds. April = 14.5 yards. YTD = 62.5 yards.

Enjoy the day, Ann

Tuesday, April 21, 2020

Helping

The most precious thing you can give someone is your time because you can never get it back.
When you don't think about getting it back, you've given it in love.
~Mitch Alborn in Finding Chika

Quilting

Just a bit of quilting this week. Sort of. No sewing, only arranging the arcs. They required lots of moving/adjusting. Because the values occupy a narrow band, the colors blend into grey-ness. {That's not a word but you can see what I mean. The greens and reds seem to blend rather than contrast.}

Fan blocks set as wheels are arranged on the design wall in two ways
Arranging the wheel blocks into a quilt

But now... the original background doesn't work. It's much too strong against the sewn arcs. And there's nowhere near enough yardage either. Darn. This shot cotton in grey and brown has been pulled for every project for the last three years and never fit. Such a funky non-color. Of course I cut several before figuring this out. Audrey mentioned how much waste arcs leave - big melon shaped lozenges. She saved hers for an appliqué project. Mine are going into a bag for the future, too. They are simply too good to toss.

Sample of brown shot cotton background is place next to some of the fan blocks
This grey-brown is too dark for the background

Masks and Gowns


I made fourteen more masks and am almost out of cotton knit for the lining. Then a friend asked me to join a non-profit group sewing isolation gowns. There is little I can do to help right now other than stay home so I was honored to join. The group provided the fabric, velcro, and elastic. We provided polyester sewing thread. I sewed twelve this week. They need 10,000.

Cutting out, sewing, and finished isolation gowns for area hospitals during CoVID emergency
The design is very basic but the protective treatment on the fabric means we cannot iron it. Finger pressing bias strips for necklines and ties while wearing masks and gloves. The masks aren't difficult to use but I have trouble pinning and finger pressing in gloves.

The good news is this first batch is on its way to a New York hospital. Even though new cases are declining, staff is seriously short of gear and these should help until commercial manufacturers can ramp up.

Coronavirus Study

Stanford Medicine started a daily survey to predict future outbreaks and help direct medical resources. You can help if you live in the United States. Here's the link for more information and to sign up. It took me about two minutes to fill out the original questions and less than a minute for the daily update.


Reading

Once the gowns were finished I was, too. For relaxation I read The Secret Commonwealth, the second book in Phillip Pullman's Book of Dust series. When Pan witnesses a murder the victim entrusts him with his wallet which brings echoes of their old adventures. The clues lead twenty year old Lyra on a search for a city haunted by daemons.

Enjoy the day, Ann

Tuesday, April 14, 2020

Taking the Wheel

"You may not lie idly expecting the second coming of anybody now,
because the world is yours and it is up to you.
Now especially since man has the strength to destroy this world,
it is the responsibility of man to keep it alive, in all its beauty and marvelous joy."
~Susan Cooper in The Silver on the Tree

Quilting

Combining regular spring cleaning with the deep cleaning pushed me to sort and cull. Clothing, dishes, books, cleaning supplies. Everything is getting a second look. Is it being used? Is it needed? Does it need replacing? Of course, cleaning also brought a bunch of UFOs to the surface. Like this one.

It's been a while since starting the first wheel. The plan was to make a very scrappy wheel but the narrow wedge ruler I found seemed a better way to start/practice. So I quickly sewed one up... and what a mess. The middle was loose; the background was missing. I finally unsewed them into quarters with the idea of re-sewing the circle after the background was attached. I pulled a variety of pale yellowish greens {not chartreuse} and red-on-white prints that intrigued me. And that's when it sank into a UFO.

Red and white stripe for sashing is paired with brown shot cotton and a Burberry-style plaid for possible background to the fan arcs in the quilt
Possible backgrounds and sashing for the fan/wheel block

Last year Sujata proposed the UandU QAL to recreate a quilt from Rod Kiracofe's fabulous book, Unconventional and Unexpected. There are so many to choose from and every time someone posts their own progress I want to make that one, too. Looking through it last week I was struck by three quilts with the same design - just like my old sample. Sort of. Well, enough to make me dig through the pile.
Three pages of quilt photos from Rod Kiracofe's book show three examples of fan and wheel blocks made into improvisational quilts
Unconventional and Unexpected: 
Wheel of Fortune, p 66
and Fan, p 146

The one with the Lone Star reminds me of last year's baby quilts. I want to make more but am running out of sufficient yardage to make the background. Here's a possible way to get away with less of a single fabric.

Wheel and fan quilts are traditional blocks that have been revived recently. Several people have created designs with unique names which are still the same basic block: a small center {quarter} circle, a wide arc sewn with wedges, and a curved background to square them up. The difference I see between wheel and fan is the center sashing. Also, wheels are frequently appliqued to a single background.

My original plan was to make very large wheels, 20-25" wide but the ruler was shorter. Clockwise from top left. After cutting ten-inch WOF I laid the wedge ruler on top with my regular ruler next to it. Removing the wedge ruler gave me a long side to cut. Next I replaced the wedge ruler, lined up the longer ruler to its left, removed the wedge ruler and cut the left side of the wedge fabric.

A collage of four photos show how to extend a short ruler with a longer one for accurate cutting
Extending a short ruler with my regular ruler for cutting

Despite a very limited color palette, or perhaps because of it, there are special issues to address. Value becomes even more important. Fabrics work differently after they are cut than they did when they were originally grouped. The darks and the lights below paired up well until they were cut. Then there was too little contrast within a single fan and too much contrast from one fan to the next.

The blades of the fans are moved around to create more contrast between pairs of blades and less contrast between the fans themselves
Changing out blades of the fan block

My solution was to move the blades around until the values of all the fans were closer. These were switched between four sets to balance them better. Almost done cutting blades.

Adding green centers to the fan arcs before sewing them together
Laying out parts of the stash fan blocks

Taking the bull by the horns or the circle by the quarters. It's finally moving forward.

Masks

Still making masks. Sixty-two more this week brings the total to 127 and more to come. I made significant progress on DH's t-shirt quilt as the leftover material made mask lining. Most of the large logos are stabilized.

Reading

The Dark is Rising series by Susan Cooper is on my shelf but this is a re-read for me. It's another series catalogued as children's books. While on a Cornish holiday, three human siblings join their great-uncle Merry, Will Stanton {Old Ones}, and later, Bran Davies, searching for artifacts of power that enable the Light to defeat the Dark. Cooper blends English folklore and Arthurian legends with Celtic and Norse mythologies to create a new tale of mankind's passage to adulthood. That's what I read in the quote that begins this post and why this is a relevant set of books for adults to read also.

Of the five contemporary fantasy novels the first received a Newbery Honor while the fourth won the Newbery Medal as well as the first Welsh Tir na n-Og award and the final book also received a Tir na n-Og award.

Stay safe. Enjoy the day, Ann

Tuesday, April 7, 2020

A Fail and a Few Finishes

'Home is the place where, when you have to go there,
They have to take you in.'
                                    'I should have called it
Something you somehow haven't to deserve.'


My mother used to quote the first two lines to us but I didn't know the author although I'd read many of Frost's poems. I'm fortunate to have a large family that gets along. We write; we call; we visit. What a blessing to just belong to this group; people who have known you all your life. {Although I'm now old enough that's it's generally me who has known them all their lives.} In another sense, family encompasses a larger group. We all share this beautiful blue marble, the only home all of us have ever known. That makes us all one family. Please make good choices. Stay the course.

Pine tree blocks arranged on point might be a possible border around the Shadow Star blocks
Tree blocks as a possible border for Shadow Stars

The trees were supposed to border the Shadow Stars but they don't have enough weight. Is that because they are on point? Would bluer green leaves make a difference? Would colored setting triangles? {As opposed to the empty whiteness of now.} IDK. The trees don't seem to have a relationship with the stars even though I deliberately made tiny triangles to echo the tiny squares. Now it looks like they should have related more to the star points. {Does that make sense?}

How easy it is to see problems with a digital camera. Disappointing but not a complete loss. They will be useful somewhere else once the "much too dark" trunks are replaced with lighter fabrics.  It's not exactly a fail as they will wait in the Parts Department until becoming a different quilt.

On the other hand, I found a useful way to move several older pieces of fabric along. They were purchased specifically with my grandchildren in mind but never made it into a quilt. All will be moving to larger beds this summer in a musical chair progression. Out of the crib to the trundle bed. {What do you call the crib mattress without the sides? The one that is barely off the ground.} Out of the trundle bed to the toddler bed. Out of the toddler bed to the twin. So these fabrics will become pillowcases to celebrate their growth.

Many people posted pillowcases with enchanting crocheted edging. My grandmother taught me how to do this so I added it, too. Mine look more old-fashioned. Well, not exactly, but they aren't as bohemian chic as the ones I've seen online. But they look adorable to me. For two cents, I'd keep them for myself.

A blue print with bunnies and a pale green print with pink and white swans are sewn into pillowcases with white cuffs and white crochet edging
Pillowcases with crochet edging

Other animal prints made nice cases, too, but crochet didn't fit their theme.

Novelty prints of owls and foxes are used to make three pillowcases.
Children's pillowcases

Cases can be made with cuffs or a flap - an extra bit of fabric to hide the pillow and keep it inside the case. Mine just have the cuff but I may try the flap later and want to keep the instructions in one place. My {standard} pillows measure 18.5" x 29.5" so my case should finish 20" x 31". Yes, it could be narrower but this will be easier to get on and off. DH's king-size pillows are 20" x 36" and need pillowcases that finish 21" x 40".
  1. A pillow with a cuff
    • Three-quarters of a yard for the main fabric; a third of a yard for the cuff
    • From main fabric, cut a single piece for front and back 41" x 28" each.
    • From alternate fabric, cut front cuff 41" x 10".
  2. A one fabric pillow with a flap
    • Cut one piece 21" x 75.5". 
    • Use the other half of the fabric to make a second pillow.
  3. A two fabric pillow with a flap 
    • Seven-eighths yard for the front; one and one-quarter yard for the back.
    • Cut front piece 21" x 32.125" and back piece in another fabric 21" x 43.625".

Closeup of the crochet shows seven double crochets form each shell of the edging
Shell crochet edging
Crochet edging supplies:
  • a thick tapestry needle with a rounded end 
  • a steel crochet hook size 2
  • Size 8 pearl cotton in any color you choose (one ball edges three cases for me}
  • washable marker
  • ruler or guide marked 3/8"
Crochet edging:
  1. Mark the pillowcase at 3/8" intervals about 1/4" from the edge.
  2. Use the tapestry needle to make holes without breaking threads in the woven fabric then
  3. Make a single crochet in the hole followed by 3 chain stitches.
  4. Repeat around the edge of the pillow.
  5. Slip stitch into the beginning.
  6. Two chain stitches.
  7. Seven double crochet in the first opening {the 3 chain stitches}, 1 chain, 1 single crochet in the next opening, 1 chain. Repeat around the edge.
  8. Slip stitch to the beginning of this round. 
  9. Tie off and bury threads.
Seven pillowcases finished. Three with cuffs only; four with crochet.

And twenty-five more face masks. No more sheeting or pillowcase ticking and only two yards of batik left. I line them with 100% cotton t-shirts. One good thing is that I'm finally progressing on DH's t-shirt quilt.

Reading

Cover of the first book in The Book of Dust trilogyEach of my children grew up with a different books series which I read as they did. They certainly made interesting dinner conversation. For the oldest, it was Phillip Pullman's His Dark Materials trilogy. The original book, The Golden Compass {known as The Northern Lights everywhere else in the world} was made into a movie and recently into a television series.

Recently I discovered a prequel trilogy is being published. The Book of Dust: La Belle Sauvage begins shortly after Lyra's birth and concerns how she arrived at Jordan College. I'm ready to reread the original books.

My contributions have been to stay home, make masks, and donate money to my favorite charities.  It's all I can do. Stay safe everyone.

Enjoy the day, Ann

Tuesday, March 31, 2020

Placement Matters

"There are many kinds of selfishness in this world, but the most selfish is hoarding time, 
because none of us know how much we have, 
and it is an affront to God to assume there will be more."
~Mitch Alborn in Finding Chika

Masks

We are all doing what we can to fight this virus - the bravest on the front lines, the rest of us donating to charities, tipping delivery people heavily, and staying home.

Two styles of cotton fabric masks. One a pleated rectangle and the other fitted like a bra cup to fit closely over the nose
Homemade masks
I made 40 masks this week with my tightest weave fabric for the front, cotton t-shirts for lining, and polyester or quilting thread to sew the ties {because I have no elastic.} With spring cleaning I'd already pulled extra t-shirts and fabric remnants that made good ties so it was easier to switch to this task.

Detail of backstitching at the corners where the ties and the masks meet reinforces those stress points
Reinforce corners by backstitching
There are loads of patterns online. I liked the fitted masks best {that look like a brasserie} but DH liked the rectangular ones with side pleats so I made some of both. What I found is that it should cover from bridge of nose to under the chin and from jawbone to jawbone. Aim for the width of your ears on the short sides or it just gaps when put on.

Delivery drivers, grocers, homeless shelters, rehab centers, nursing homes, and vet clinics are among the people and places that can use these to free up professional masks for our front line heroes. Mine went to a collection center for distribution.

Tip: Instead of adding four ties, make two longer ties {16" for each tie end plus the width of the short end} and zigzag them so they can better take the stress of tying. Also backstitch at mask corners to reinforce those points of stress.

Cooking

Saved vegetable peelings enrich the broth from boiling a chicken. Bay leaves and other spices added for additional flavor
Making chicken broth with vegetable peelings
It recently occurred to me that I could again make broth with vegetable peelings rather than tossing them straight to compost. It extends the vegetables that must be acquired. My grandmother taught me to make it this way but after finishing college, it didn't seem necessary. Time to pull this method out again.



Quilting

The addition of pink gives these trees the glow of spring... even though the greens lean to the yellow side. {In my mind, that usually indicates fall.}

Tree blocks laid out with with pale pink and green fabrics call the colors of spring to mind
Springtime tree blocks laid out with with pink and green

With spring in mind, an apple tree seemed in order. Lovely red and white plaid paired with red polka dots and a large circular print indicative of green apples. My mistake was adding those active prints to the light side of the trees. Instead of a tree, it's simply a mess.

Dividing the HSTs in the pine tree block by color rather than value causes the image of the tree to disappear
First attempt at apple tree quilt block

I laid out a new one with only polka dots and whites on the light side. It's the right-hand one on the bottom row. The circles and plaids now sit with the green - where their values match. As you can see, this arrangement works much better.

The apple blossom block on the bottom row, right, is own sewn with a better arrangement of fabrics that sorts them by value on each side of the HSTs
Spring tree blocks sewn

And no, I didn't unsew the first tree. These triangles are too small and fiddly. I just tossed it... into the scrap bag. It's a learning experience.

Two tote bags. A larger one in brown with pale green print and a smaller one with red and yellow printsI also finished two more tote bags. There wasn't quite enough fabric for one on the left but I made it anyway. It will just be a grocery tote; too small for a foster child. {It was already cut when I switched to mask making.}

Reading

Psychologist Mary Pipher wrote Reviving Ophelia about the needs of adolescent girls and now has written this one about cultural and developmental issues women face as they age. In some ways it reminds me of Atul Gawande's Being Mortal and in fact, she references his book and several of the same research projects. Atul's book addresses end-of-life issues while this one focuses on how women age.


FUR
One finished quilt, eight totes that took 11.5 yards, plus 8.5 yards for masks makes 27 yards this month. YTD = 47.5 yards.

Please stay safe.

Enjoy the day, Ann

Tuesday, March 24, 2020

Trees and Totes

Want of foresight, unwillingness to act when action would be simple and effective, lack of clear thinking, confusion of counsel until the emergency comes, until self-preservation strikes its jarring gong. These are the features which constitute the endless repetition of history.
~Winston Churchill

Quilting


Trees might be a possible border for Shadow Stars. If not there they could make a good quilt on their own. It took lots of drawing to determine which variation would work best. How many leaves on each side? How tall or short should the trunk be? Does it need roots or not? And since I want a specific size on point, none of these variations came with easy measurements. Of course not.

When I finally cut some triangles the real work began. It's difficult to get them laid out well. There's too much variation in the top one and the bottom right is too light.

Light green HSTs interspersed with blue, pink, and darker green HSTs to add life to the blocks
First attempt at tree blocks

My next attempts were at the bottom of this photo. I liked the tree on the left and began to fill in the background above it; however, orange leaves still didn't work as well with the tree on the right so they were exchanged for blue. It needs more tweaking.

Arranging green HSTs interspersed with a few pink and blue HSTs to create lively pine tree quilt blocks
Creating tree blocks

The trees don't need as many different fabrics as I'd expected although they sure need lots of triangles. In fact, each block has 82 pieces. Who thought this craziness up? At least this is a good time to sit and sew. It's amusing how significantly the blocks shrink when they are sewn. {It doesn't take much to amuse me.}

Two pine tree quilt blocks. One with all the fabric laid out as leaves, trunk and background. The other with all the pieces sewn. This highlights how much sewing contracts the blocks.
Tree blocks laid out and sewn

By the end of the week there are five tree blocks.

Fine pine tree quilt blocks sewn. Leaves represented by light green triangles with a few other colors like blue, pink, and darker green for depth. for depth
First set of tree blocks

I'm surprised how few different fabrics are used in each tree. I expected to need ten or more just for the green leaves but most have three fabrics there {with another three or four in the background.} They also take a very light hand with the accent colors. Good practice for me who always thinks more is better.

Tote Bags
With all the extra cleaning, an older stack emerged. Tote bags - good for groceries, overnighters, or work bags. Shockingly, the Texas Supreme Court ruled banning plastic bag unconstitutional a few years ago. What a selfish, short-sighted decision that current inhabitants can do whatever they want without regard to future generations. Surely we can do better.

Four tote bags in a variety of colors make overnight bags for foster children
Tote bags

These are shoulder bags based on a free pattern from Back Porch Quilts in Pacific Grove. Each uses 1.5 yards. One yard for the sides, lining, and straps. Half a yard for the contrast on the front. These fabrics have been paired for a while. Now is a good time to finish them.

The purple one is mine; a reminder of our other sister who loved birds and that color. The others are for foster children. A quick way to pack might be a better gift than a pillowcase. I'll make more throughout the year.

Face Masks
We gave two boxes of procedure masks that we had from the last wildfire to the local hospital. They aren't N95 level; just what sick patients wear. Now we could use a few homemade ones to keep from spreading coughs and droplets to others {if that happens to us.} This article discusses the effectiveness and breathability of various materials. Realize that the pillowcases they mean are NOT the pretty ones we cover our pillow with. They refer to the feather-proof ticking that holds the feathers or foam of your actual pillow. Oddly, some is already in my stash and I just sorted our t-shirts. This will be next week's project. Our local hospitals don't want these but making them for us will not take the good ones from the people who need them most.

There are inspiring stories worldwide of the creative ways people build connections, hope, and service to each other while fighting this pandemic. Just like Mr. Rogers said, "Look for the helpers." I hope you are all well, safe, and busy as we all do what we can to help each other.

Enjoy the day, Ann