"The trouble with our times is that the future is not what it used to be."
~ Paul Valéry
Quilting
This quilt went together more easily if only because most of the parts were already sewn and ended up a repeat of the previous one. I thought about making something very different but... all the hourglasses with polka dots were already sewn and it needed to be gifted this week so time was of the essence. Time; hourglass. Somehow appropriate. Plus, it uses up all these specific pinks, aquas, and the second black print in my stash {which has been lurking for a while because it never fit anything else.} There's several more yards of the stripe since I purchased it for bindings. The last excuse is that the quilts will reside in different states and their owners most likely will never meet.
I enjoyed working with hourglasses as both a central block and a border. There are a few more ideas running through my mind {aren't there always} that I may flesh out in the spring. We'll see.
The pink with red polka dot triangles were short one to finish the center {more or less} identically to the previous one. I dug through the stash and scrap bags for a bit more to no avail. Something had to change and the very center seemed the likeliest. Perhaps a different block should have been used but the design needed to be centered in the block like an Ohio Star with the hourglasses turned into star points. After cutting the beautiful birds below {which are laid out in the opposite arrangement in this photo} their backgrounds were obviously too strong for the rest of the quilt. A single bird in the center was even worse. Like a wart on the end of your nose. I didn't even pause to snap a photo.
One reason I felt comfortable with this diffuse design is that I've done something similar before. Not every quilt needs spectacular blocks. The sashing or the border can grab your eye first. Because we start with the block, sometimes we focus too much on making them the focus {how's that for a pun?} rather than letting them become part of the background.
The quilting is almost identical to the previous one except for SID at the inner border - a more felicitous choice because my machine is home again - and quilted spirals in all the inner hourglasses. The straight lines in the border quilting add a bit of contrast and actually show against the prints. Wonders never cease.
Pink micro-check gingham became the best choice for the border interior. The black is printed with turquoise and grey so a dark grey with pink dots made a good binding. It blends into the black triangles well and makes a simple, strong edge to this quilt.
When folding the quilt for views of the front and back together, I unfortunately lined up the edge with the inner border. Now it looks like a different front. Oh, well. The back is the same fabrics as the previous quilt and that finishes all of them, too.
From the original mistake of low contrast pink and blue fabrics, these two quilts made a good recovery and have become some of my favorites. The striped sashing helps enliven the quilt but the black outer border adds confidence... or gravitas.
Again, this quilt was also gifted "warm from the dryer" and the parents liked it very much. For a change, it arrived before the baby. Ha.
Monthly FUR (Fabric Use Rate)
For my records, January saw two finished quilts = 10 yds. Roll on, February.
Enjoy the day,
Ann
I enjoyed working with hourglasses as both a central block and a border. There are a few more ideas running through my mind {aren't there always} that I may flesh out in the spring. We'll see.
 |
| Improv Hourglass quilt 2 |
The pink with red polka dot triangles were short one to finish the center {more or less} identically to the previous one. I dug through the stash and scrap bags for a bit more to no avail. Something had to change and the very center seemed the likeliest. Perhaps a different block should have been used but the design needed to be centered in the block like an Ohio Star with the hourglasses turned into star points. After cutting the beautiful birds below {which are laid out in the opposite arrangement in this photo} their backgrounds were obviously too strong for the rest of the quilt. A single bird in the center was even worse. Like a wart on the end of your nose. I didn't even pause to snap a photo.
 |
| Possible quilt center with bird fabric |
One reason I felt comfortable with this diffuse design is that I've done something similar before. Not every quilt needs spectacular blocks. The sashing or the border can grab your eye first. Because we start with the block, sometimes we focus too much on making them the focus {how's that for a pun?} rather than letting them become part of the background.
The quilting is almost identical to the previous one except for SID at the inner border - a more felicitous choice because my machine is home again - and quilted spirals in all the inner hourglasses. The straight lines in the border quilting add a bit of contrast and actually show against the prints. Wonders never cease.
 |
| Detail of Improv Hourglass quilt 2 border |
Pink micro-check gingham became the best choice for the border interior. The black is printed with turquoise and grey so a dark grey with pink dots made a good binding. It blends into the black triangles well and makes a simple, strong edge to this quilt.
When folding the quilt for views of the front and back together, I unfortunately lined up the edge with the inner border. Now it looks like a different front. Oh, well. The back is the same fabrics as the previous quilt and that finishes all of them, too.
 |
| Border and back of Improv Hourglass 2 |
From the original mistake of low contrast pink and blue fabrics, these two quilts made a good recovery and have become some of my favorites. The striped sashing helps enliven the quilt but the black outer border adds confidence... or gravitas.
 |
| Detail of front, back and binding of Improv Hourglass 2 |
Again, this quilt was also gifted "warm from the dryer" and the parents liked it very much. For a change, it arrived before the baby. Ha.
Quilt Specifics
Size: 42"x42"
Design: Hourglass
Batting: Mountain Mist Cream Rose cotton
Thread: Gutermann 50 wt light blue, pink, and white cotton
Quilting: FMQ spirals, SID, parallel lines
Approximate yardage: 5 yd
Monthly FUR (Fabric Use Rate)
For my records, January saw two finished quilts = 10 yds. Roll on, February.
