Tuesday, August 23, 2016

Rod Kiracofe Presentation and August 2016 AHIQ Linkup

It's hard to get back to my old routine after taking off most of the summer. Quilts were left in progress  and I've had trouble remembering the plans.

While still a difficult time, this month has been more fun. We drove across the western US. As schoolchildren we learned a line called the Continental Divide separates rivers flowing east to the Gulf of Mexico or Atlantic from those flowing west to the Pacific. This is not quite true.

The Great Basin encompasses about a fifth of the country from the western Rockies to the eastern Sierra Nevadas. Water in this area flows nowhere. It can only evaporate leaving alkali beds, salt flats, and several salt lakes. The Great Salt Lake is the largest, but there are several more.

Mono Lake from a distance

 Mono Lake is one of them. It's so salty birds have trouble paddling in this lake; they're too buoyant. Tufas formed by fresh water springs famously tower above the lake's surface, in part because the lake has been drawn down to transport water to other parts of California.

Closeup of tufas at Mono Lake

Fortunately, this is no longer allowed. Unfortunately, the west has been in such a severe drought that the lake level is still falling.

Rod Kiracofe was the guest speaker at our quilt meeting yesterday. Although not a quilter, he has done more to advance quilting as important American art than anyone I know. Starting in 1983, The Quilt Digest juxtaposed antique works with contemporary art quilts highlighting the commonalities. He went on to write The American Quilt, a seminal work that displayed the development of quilting designs and styles through time when other books organized material by block design. As a maker, I learned skills from the latter layout, but as a student my understanding was enriched by Rod's history.

One-patch quilt of randomly sized rectangles.
One-Patch quilt from the collection
of Rod Kiracofe shown at SCVQA meeting, 2016

I believe his greatest genius is, as he wrote in Unconventional and Unexpected, his "practice of creating new ideas in the larger cultural conversation." This is most evident in the exhibits he curates where he opens my eyes to relationships between different groups of people or art. For example, his exhibits last year at the San Jose Museum of Quilts and Textiles and at the Sonoma Art Museum.

Long rectangles, possibly men's hatbands, create this white, navy, black, tan, and red quilt.
Improvisational quilt,
possibly from men's hatbands.
Rod Kiracofe collection.

Hearing him again has reignited the need to quilt.

Edit: Monica suggested that since we both host this linkup Kaja and I each add our posts below to help others visit both. Such a good idea. Thanks!

Enjoy each day,
Ann

InLinkz removed because it was hacked.