Tuesday, March 27, 2018

Scale and AHIQ 31

It's going to be a hard year again for our family with many decisions to make. After a month of non-stop sorting I realized everyone needs a weekend. Like any full-time employee Monday through Friday will now be spent clearing out the house and estate. Weekends are free to sleep in, read, quilt, visit, recharge. Putting this plan into practice, I attended the Dallas Quilt Show followed by dinner with my favorite nieces. When I lived in the area I was a member of this guild {and also a program chair - my perennial office.}

As a large show that offers cash prizes (winner's list here) it draws out-of-town and even out-of state artists. Several were prizewinners at other venues. For example, Cynthia England's Reflections of Cape Town was the Best of Show at 2016 IQA in Houston but was much easier to see here since we could spend more time up close {and frankly, in better light.}

Reflections of Cape Town by Cynthia England

There were many beautiful quilts - both purchased patterns and original designs - but these attracted my attention for their use of scale.

Carol Morrissey abstracted a photo of her grandson with circles in a variety of colors and sizes. After spending a while here I believe the background is one solid grey fabric (with perhaps  a bit of texture painted on it). Carol created his face pointalist fashion by identifying the major portions of light and shadow. As always the beauty is in the details such as his chin, both ears, and the white highlight in his eyes.

Jake by Carol Morrissey

Using Carolyn Friedlander's Envelopes pattern, Rachel Kent incorporated letters to her father in Happy 60th, Mr. Postman to celebrate his milestone birthday. I assume she mailed prepared fabric to people who wrote a message on it. Did she mail special pens, too? Then it looks like she fitted their responses to different sized envelopes. Again, did she outline various boxes for people to stay within? All the replies are fairly "square." I'd have expected a few people to create long rectangles if they didn't understand the intended use.

Happy 60th, Mr. Postman
by Rachel Bryan Kent

Terry Mosher used varied the size of bars to create his Hippy Trippy Christmas based on a Kaffe Fassett design. Of course I see another Chinese Coin variation in this two-color medallion. {I see them everywhere now.}

Have a Hippy Trippy Christmas
by Terry Mosher

Red and green always make lovely quilts. Most of them are definitely seasonal. I think this one could be used year-round. It reminded me of my Watermelon quilt - a red, green, and black quilt that evokes hot summer days.

Enjoy the day, Ann

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