Hourglass Quilt Gifted

Happy birthday to the young recipient.

Here it is, quilted, bound, and washed. No quilting design seemed a good fit to me. Either they distracted from the colors or they seemed too prominent on the solids. Finally I simply stitched in the ditch along each seam line.

Hourglass quilt in solids

The back really shows the crinkling effect of the quilting design and batting choice. Stitch-in-the-Ditch emphasized a gathering effect not seen on my other quilts. I think the combination of two threads (nylon monofilament and cotton) in the ditch and solids caused this. Other fabrics may behave the same but light hits every hint of a fold on solids.

Hourglass quilt in solids back

Here's a detail of the quilting. I've said it before but I personally love the way the batting crinkles the quilt after washing. Hopefully you love your choice as well.

Quilting detail of Hourglass solid quilt

I was a bit hesitant when starting this quilt last year but it's become one of my favorites. I intended to make a video of this process but that has not happened. Given the current situation, it will not. It's still pretty. And fun. And easy.

Quilt Details

Size: 43" x 43"

Design: Original

Batting: Mountain Mist Cream Rose 100%cotton

Thread: YLI Nylon Monofilament on front, grey Presencia 50 wt cotton on back

Quilting: Stitch in the Ditch with walking foot

Previous posts:

1. Picking the fabric
2. Sewing the top

Enjoy the day, Ann

Time to Sew a Top

You can't go back and change the beginning but you can start where you are and change the ending.

~C.S. Lewis~

You know the drill. Sew the blocks into columns; sew the columns into pairs; repeat until the top is done.

Sewn. Wow. These colors look like stained glass.

Hourglass quilt in solid fabrics

I'm not sure what quilting will enhance/ complement this design.

Enjoy the day, Ann

Hourglass Solids

What gives dignity to death is the dignity of the life that preceded it.

~Sherwin Nuland~

Still in recovery. This is a quilt I made but didn't blog because I wanted to make a video. Haven't done that; probably won't now.  Still, it's a pretty quilt to share.

When I reorganized/cleaned my sewing room last year, all threads and sewing supplies went back in their respective drawers. That's not much but makes the room neater. The biggest decision was to put all the "pulled" fabric back in the stash. The partially sewn blocks are still kept together but no more endless collections of fabrics for future quilt that didn't even get cut.

Just when the stash seemed to be decreasing, I find I've simply hidden it in "plain brown wrapping." Like a naughty book or an accounting shell game, only with fabric. Ha!

Solid fabric choices

For someone with few solids, I unearthed a small trove. Most are medium. This photo contains only three lights: pink, pale green, and yellow - and they look washed out.  However, they are needed to add value change. Can you imagine how badly a quilt would look with only medium values? Tucked in with these  pieces was a charm pack of solids; the perfect way to stretch this limited color range.

I cut one WOF of each fabric whatever that width was; some were fat quarters or less. Then cross-cut into five-inch squares. Then cut each into four QSTs. That took a couple of days.

Solid Hourglass quilt blocks

Next I matched up each of the remnant squares with one of fabrics I had in abundance {for example, the blue, lavender, and pinky-red} in order to scatter the colors as widely as possible. When that was done, I matched the remaining fabrics into pairs and started sewing hourglasses.

This time I laid them out right in front of the television. DH said he could tell it was mine because it was so colorful.

Enjoy the day, Ann