I combined it with some soft blues then added one funky green/black/beige plaid to pump it up. {Who remembers "Pump you up" from Saturday Night Live?} The longer I look at this, the better I like it.
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| Spiderweb quilt back with Balson Hercules "Fujiwara" fabric |
The quilt was almost completely pin basted when I realized I'd rotated the front ninety degrees. Darn. Another evening spent taking those pins out. Then pinned it correctly. So feather-headed.
It's far enough along that I could start pulling fabric for Chinese Coins. While pondering what tack to take, I read this:
"The next step is to do a pull of all the fabrics I have been aching to use and to see how they look together." Kathy Doughty
What an exciting way to approach a scrap quilt. But, I also need/want to make a quilt for my niece who is decorating her new home in turquoise, yellow, grey, and white. And I happen to have lots of light blue leftovers right now. {Insert maniacal laugh here.}
I pulled these from my stash and {for now} intend to supplement them with leftovers in the scrap bag.
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| Fabric for Chinese Coins |
"Landscapes/naturescapes"
Did you know there's a way to move/regroup photos on your Pinterest boards? I've been doing a lot of that lately. Creating order by commonalities allows me to think. {That's a geologist for you.}
It never occurred to me to combine a traditional block with a painting until I saw Deb Hyde's work. Someone posted this time lapse YouTube video showing the development of Lucy ITSWD several years ago but few people seem to know about it. I'm awed that anyone could keep two balls in the air - a specific quilt style and a scene. Definitely one to enjoy over your morning coffee or tea.
Which came first, the chicken or the egg? The form or the scene? The answer: it depends.
Diane Wright's Thimble Islands shows sea, sky, and islands in blues and browns while Ululu (Ayers Rock) rises in the distance across a wide valley in Ann Bauer's Summer Comes to the Mountain. (It's about the middle of the page.) The regularity and precision of column widths in both makes me think they envisioned this arrangement from the start. In fact, Ann's website shows several works created in a similar style. The phrase "working in a series" comes to life as she develops her ideas.
Diane's free-hand cut coins emphasize waves hitting rocky shores. Ann's straighter cuts create a flat, grassy plain with a hazy distant mountain. By curving the pink fabrics she perfectly conveys a setting sun reflecting on wispy clouds.
On the other hand, I think I'm overlaying the Coin form on the finished quilts of other artists. I could easily be reading more into it than they intended but I'm struck by how well the Chinese Coin design evokes an impressionistic scene.
From Sue Kelly's previous posts, I know she did not use stacked coins as a starting point. She randomly cut and sewed fabrics until she ended up with her design for Abbott's Lagoon... which just happened to resemble Chinese Coins. Now that she's quilted and embellished this piece, it's even easier to distinguish the tidal flats, mud flats, grassy hummocks, and deeper waters of this lagoon. So much detail.
In a previous post I referred to Kaja's Build Me a Wall but it's still the only scene I've found that's a closeup of a manmade structure (rather than a panorama.) I'm unsure if she started with a Coin format but she wrote about some of her other works recently. They demonstrate how one's starting idea can unfold into more expressive form.
In fact, this Rail Fence began with leftovers from Chinese Coins. I added some darker blues, raided the scrap bag for odd strips of triangles, and worked them into a different form by rotating sections.
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| Improv Rail Fence built from Chinese Coins |
Whether an artist arrives at a Chinese Coin layout purposefully or in retrospect, I'm delighted to find it possible to use a structured form to create a natural scene. Even if you start with some Coins, remember you're the creator of your own quilt. Feel free to change it any way that works for you. Let's celebrate all of us!
Enjoy the day, Ann
