My first Chinese Coins went together so quickly I was sure this next one would, too. Not true. Of course, I don't have a deadline... and I unexpectedly went to a quilt retreat... and our guild show is this weekend and two of my entries weren't done. Why did I insist on entering my current WIPs rather than ones finished last year? Do you do that, too?
CCII is still on the design wall and I make a few triplet sets whenever I need to use up the last bit of thread on a bobbin. Here's what I made last week.
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| More sets for Chinese Coins II |
What have I learned from #AHIQChineseCoins?
First, that I work better tackling one or two ideas than trying to copy a quilt. {I knew this already but it's always reinforced when I try to duplicate something - even my own work. As evidence I present my attempt to copy the petal quilting of a small Spiderweb onto a larger Spiderweb quilt.}
CCI took my niece's color sense, limited the values, and used a stripe effect. I learned why modern quilters prefer solids and white. When dark values are eliminated {or light values for that matter} the remaining fabrics must have some contrast. The print assumes greater importance because fabrics can so easily merge into one another.
Additionally it's hard to combine many neutrals in a soft quilt. Adding tan/brown to the greys and whites just muddied the background. I'm glad I took those out.
First, that I work better tackling one or two ideas than trying to copy a quilt. {I knew this already but it's always reinforced when I try to duplicate something - even my own work. As evidence I present my attempt to copy the petal quilting of a small Spiderweb onto a larger Spiderweb quilt.}
CCI took my niece's color sense, limited the values, and used a stripe effect. I learned why modern quilters prefer solids and white. When dark values are eliminated {or light values for that matter} the remaining fabrics must have some contrast. The print assumes greater importance because fabrics can so easily merge into one another.
Additionally it's hard to combine many neutrals in a soft quilt. Adding tan/brown to the greys and whites just muddied the background. I'm glad I took those out.
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| Chinese Coins I in soft blues, yellow, grey and white |
I {may have} learned to check twice before hand cutting columns. One of these columns is upside down from my original plan. Probably no one notices but me, yet it slaps me in the face each time I look at the photo. It's hard/impossible to turn hand cut columns. {I wrote 'may have' because this is a frequent mistake. Someday I hope to cease making it and move to a new mistake. Ha.}
I learned that simple walking foot quilting can create an excellent texture.
This quilt reemphasized the need to check several values of binding. Originally a light grey seemed like it would be the best choice but the blue improved the quilt greatly when I tried it.
I started CCII with the idea of making boxes similar to Timna Tarr's Summer Reading. It was a mistake to pre-plan that far.
Conversely, after looking over many of the links last month I realized I didn't want to pull random scraps from the bag. Many of yours were scrap-style but still had a planned value or color scheme that greatly enhanced the result.} So far I'm liking the semi-planned effect of blues and greens. Now that I have a large set, I'm ready to add a few more colors. No idea where it will end up.
These days I'm always reminded to slow down and finish what I start. I don't have the energy to keep too many quilts in-progress - neither the space in my sewing room nor in my head. Unfortunately that means limiting the classes I take. But I'm also taking time to review my sketchbooks more frequently.
One Final Chinese Coin Link
While the center of this Anna Williams quilt, LII: Strip Quilts, may not be a Coin it gives a strong nod to them. Irregular blocks of strip sets are joined into three columns. The left column has five blocks while the other two have four blocks. Along the left seam the same fabric matches from the two columns. What a good way to disguise the seam. She incorporated a few short rows of triangles and perhaps some crazy piecing. Take a while to look at the construction.I learned that simple walking foot quilting can create an excellent texture.
This quilt reemphasized the need to check several values of binding. Originally a light grey seemed like it would be the best choice but the blue improved the quilt greatly when I tried it.
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| Walking foot quilting and blue binding finish a Chinese Coin quilt |
I started CCII with the idea of making boxes similar to Timna Tarr's Summer Reading. It was a mistake to pre-plan that far.
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| Boxing Coins in red |
Conversely, after looking over many of the links last month I realized I didn't want to pull random scraps from the bag. Many of yours were scrap-style but still had a planned value or color scheme that greatly enhanced the result.} So far I'm liking the semi-planned effect of blues and greens. Now that I have a large set, I'm ready to add a few more colors. No idea where it will end up.
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| Beginning Chinese Coins II by sewing triads of strips |
These days I'm always reminded to slow down and finish what I start. I don't have the energy to keep too many quilts in-progress - neither the space in my sewing room nor in my head. Unfortunately that means limiting the classes I take. But I'm also taking time to review my sketchbooks more frequently.
One Final Chinese Coin Link
Thank you
So many of you added excellent links last month. It's enlightening to see how differently we can each approach a simple design. We build confidence in our vision and voices when we attempt new versions.
This month I'm sure there will be even more starts and some finishes to link up. I look forward to reading what you've discovered. Thank you all for accepting this Invitation.
Next month Kaja's introducing another project on her blog. I admire her style and can't wait to see what she plans.
Enjoy the day, Ann
InLinkz removed because it was hacked.
